Arco de Santa María
Begin on the river side of the Arco de Santa María, where the Santa María bridge over the Arlanzón runs straight into it. Pass through and you are in the Plaza del Rey San Fernando, facing the cathedral. In the Middle Ages this was one of the twelve gates in the city wall of Burgos, first called the Puerta de la Puente de Yuso. A simpler gate from the 11th century stood here before, and the Cantar de mio Cid names it as the way the Cid rode in and out of the city whenever his campaigns called him.
What you see today is a 16th-century makeover with a political motive. After the revolt of the Comunidades, the city council decided on 7 March 1531 to rebuild the gate in honour of Emperor Charles V, recalling how Burgos had welcomed him in 1520. The new arch was meant to win back his favour. The tower itself had long belonged to the city government: already in the 14th century justice was handed down inside it.
The building work turned into a quarrel in stone. The sculptor Felipe Bigarny drew the first plans and problems began at once. In 1536 the council rejected his new design, which he reworked with Cristóbal de Andino, who had helped rebuild the Santa María bridge after the flood of 1527. Then Francisco de Colonia tore down the old portal and raised the new gate in 1536 without following the agreed design. A councillor protested, backed by Juan de Vallejo, perhaps out of rivalry. Remember these names: several of them return in the cathedral.
Going inside is free. If the door is open, take a quick look at the tower where the city once sat in judgement. Then walk 100 m, about a minute, to the Church of San Nicolás de Bari behind the cathedral.














