Baptistery of Pisa
Stand back a little and take in the round drum in front of you: 54.86 metres high and 34.13 metres across, this is the largest baptistery in Italy. It was begun in 1152 to replace an older baptistery, and its first architect, Diotisalvi, did something unusual for his time: he signed and dated his work.
Look from the bottom up and you read two centuries of changing taste. The lower part is Romanesque, with round arches and fairly plain figures. Higher up the style turns Gothic, with pointed gables and a far richer crowd of sculpture. The building was only completed in 1363. Like the cathedral and the tower it is built of white Carrara marble striped with bluish grey stone, a trademark of Pisa's great churches; Florence and Pistoia used a dark green marble from Prato instead.
Now walk to the east portal, the one facing the cathedral façade, probably carved around 1200. Two columns with leafy decoration, copied directly from a classical model, frame the door. On the inner jambs you find eleven reliefs on each side in Byzantine style. On the left the months of the year climb upwards from January at the bottom; look for the panel where September and October share one scene. On the right the story runs downwards: the Ascension at the top, then angels, Mary with raised hands, the Apostles in pairs gazing up, the Harrowing of Hell and, at the very bottom, King David.
Going inside costs a ticket. If you love architecture and want to feel the size of that drum from within, it is worth it; if your budget is for one paid sight only, the portal outside already gives you the best of the stone storytelling. From here the Camposanto is just 110 metres away, 2 minutes on foot.














